Incredible Shimizu Uichi Crackled Celadon Platter
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Directory: Artists: Ceramics: Pottery: Plates: Pre 2000: Item # 1378184
Directory: Artists: Ceramics: Pottery: Plates: Pre 2000: Item # 1378184
Please refer to our stock # 1216 when inquiring.
Modern Japanese Ceramics
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23 Murasakino Monzen-cho, Kita-ward Kyoto 603-8216
075-201-3497
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Feel free to visit our gallery
23 Murasakino Monzen-cho, Kita-ward Kyoto 603-8216
075-201-3497
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sold, thank you
A spectacular large basin covered in fissured green with tinges of red by Living National Treasure Shimizu Uichi enclosed in the original signed wooden box titled Seiji O-zara. It is 16-1/4 inches (42 cm) diameter, 4 inches (10 cm) tall and in excellent condition.
Due to size the cost of shipping will be accrued separately
Shimizu Uichi (1926-2004) was born in Kyoto the son of a ceramic dealer. Discarding the family business he apprenticed in plastic arts under Ishiguro Munemaro. His work retains some principal elements of his teacher’s style while incorporating an understated elegance and avant-garde spirit of challenge uncommon for his time. He was first exhibited at the Nitten in 1951, receiving numerous awards there since. He also took the gold medal at the Prague International Exhibition, and was at the Brussels World Exposition. He is in the collection of the Tokyo National Museum, Kyoto Museum of Modern art and the Freer Gallery among others. In 1985 he was named a Juyo Mukei Bunkazai (col. Living National Treasure) for his work in Tetsu-yu iron glaze. But this did not stop him continuing to research into uncommon ground, and he strove, like an artist as opposed to a craftsman, to constantly innovate and evolve to the day he died.
Due to size the cost of shipping will be accrued separately
Shimizu Uichi (1926-2004) was born in Kyoto the son of a ceramic dealer. Discarding the family business he apprenticed in plastic arts under Ishiguro Munemaro. His work retains some principal elements of his teacher’s style while incorporating an understated elegance and avant-garde spirit of challenge uncommon for his time. He was first exhibited at the Nitten in 1951, receiving numerous awards there since. He also took the gold medal at the Prague International Exhibition, and was at the Brussels World Exposition. He is in the collection of the Tokyo National Museum, Kyoto Museum of Modern art and the Freer Gallery among others. In 1985 he was named a Juyo Mukei Bunkazai (col. Living National Treasure) for his work in Tetsu-yu iron glaze. But this did not stop him continuing to research into uncommon ground, and he strove, like an artist as opposed to a craftsman, to constantly innovate and evolve to the day he died.