Contemporary Lacquered Glass Sake Set by Arai Etsuko
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Directory: Artists: Lacquer: Contemporary: Item # 1433723
Directory: Artists: Lacquer: Contemporary: Item # 1433723
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Modern Japanese Ceramics
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23 Murasakino Monzen-cho, Kita-ward Kyoto 603-8216
075-201-3497
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23 Murasakino Monzen-cho, Kita-ward Kyoto 603-8216
075-201-3497
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sold, with thanks!
There is something deeply elegant and feminine about the work of the female Maki-e artist Arai Etsuko, clearly evident here in this glass sake set decorated with olives in colored lacquer and precious gold powder enclosed in a compartmentalized and signed wooden box. Inside, the simple black silhouette, outside, various shades of green connected by gold branches from which hang fruit in various stages of ripeness. The Tokkuri is 17 cm (6-3/4 inches) tall, the cups 5 cm (2 inches) diameter. All are in new condition, directly from the artist this year.
Arai Etsuko (born in Kanagawa in 1980) apprenticed under Hiroshi Okada after Graduating the Kyoto School of Traditional Arts in 2003. For seven years she learned the arts of maki-e and kanshitsu, nunobari and inlay, working both on new pieces, as well as in the restoration of antique items, giving her a deep understanding of the various processes of lacquer over the centuries. In 2010 she moved out on her own. Her work is characterized by the exquisite mixture of traditional lacquer ware manufacturing methods and the delicate and gentle style unique to a woman. Her work has been exhibited at various venues throughout Japan, including the Asahi Craft exhibition and Kyoten. She was designated a Traditional Craftsperson (Dento Kogeishi)of Kyoto in 2014, Nationally in 2015. In a recent conversation She said she was drawn to the world of Lacquer by its glitter and sheen. Unlike drawing or pottery, the creation of lacquer art has no immediate sense of gratification, the imagery is brought out through layers over weeks or months, often invisible until the final stages. A most demanding medium, patience and diligence are paramount, but the result is unlike any other artform, and with proper care, can be passed through the generations, an heirloom to span the centuries.
Arai Etsuko (born in Kanagawa in 1980) apprenticed under Hiroshi Okada after Graduating the Kyoto School of Traditional Arts in 2003. For seven years she learned the arts of maki-e and kanshitsu, nunobari and inlay, working both on new pieces, as well as in the restoration of antique items, giving her a deep understanding of the various processes of lacquer over the centuries. In 2010 she moved out on her own. Her work is characterized by the exquisite mixture of traditional lacquer ware manufacturing methods and the delicate and gentle style unique to a woman. Her work has been exhibited at various venues throughout Japan, including the Asahi Craft exhibition and Kyoten. She was designated a Traditional Craftsperson (Dento Kogeishi)of Kyoto in 2014, Nationally in 2015. In a recent conversation She said she was drawn to the world of Lacquer by its glitter and sheen. Unlike drawing or pottery, the creation of lacquer art has no immediate sense of gratification, the imagery is brought out through layers over weeks or months, often invisible until the final stages. A most demanding medium, patience and diligence are paramount, but the result is unlike any other artform, and with proper care, can be passed through the generations, an heirloom to span the centuries.
