Unprecedented Tsubo by Female Pottery Icon Koyama Kiyoko
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Directory: Artists: Ceramics: Pottery: Vases: Pre 2000: Item # 1465227
Directory: Artists: Ceramics: Pottery: Vases: Pre 2000: Item # 1465227
Please refer to our stock # 1957 when inquiring.
Modern Japanese Ceramics
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23 Murasakino Monzen-cho, Kita-ward Kyoto 603-8216
075-201-3497
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23 Murasakino Monzen-cho, Kita-ward Kyoto 603-8216
075-201-3497
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An astounding work of singular design by renowned Shigaraki pioneering female artist Koyama Kiyoko enclosed in the original signed wooden box titled Shigaraki Shizen-yu Ryukoku Tsubo (Natural Ash Glazed Carved Flowing Tsubo). The voluminous work is like a seed pod, rising up in tapering lines to an undulating open mouth. The body is covered in rich green ash glaze, flowing down the wavering clefts to pour out and collect in thin crystalline pools. I have never seen another work like this by the artist. It is marked with her incised Ki signature on the base. The vessel is 33 cm tall and in excellent condition.
Koyama Kiyoko was the subject of the film Hi-Bi (2005) and the recent NHK television drama Scarlet. She is the preeminent pioneering female wood firing artist in Japan. Born in Sasebo, Nagasaki in 1938, she went to Shigaraki village, home of one of Japan’s Six Ancient Kilns. There she studied the traditional techniques, and bore the brunt of centuries of discrimination against women. Through it all she persevered to become one of the most highly sought of Shigaraki potters. For more on her works see Modern Japanese Ceramics in American Collections, Japan Society New York, 1993
Koyama Kiyoko was the subject of the film Hi-Bi (2005) and the recent NHK television drama Scarlet. She is the preeminent pioneering female wood firing artist in Japan. Born in Sasebo, Nagasaki in 1938, she went to Shigaraki village, home of one of Japan’s Six Ancient Kilns. There she studied the traditional techniques, and bore the brunt of centuries of discrimination against women. Through it all she persevered to become one of the most highly sought of Shigaraki potters. For more on her works see Modern Japanese Ceramics in American Collections, Japan Society New York, 1993
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