Murakoshi Takuma Shizuku Chawan Tea Bowl
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Directory: Artists: Ceramics: Pottery: Bowls: Contemporary: Item # 1496688
Directory: Artists: Ceramics: Pottery: Bowls: Contemporary: Item # 1496688
Please refer to our stock # MC589 when inquiring.
Modern Japanese Ceramics
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23 Murasakino Monzen-cho, Kita-ward Kyoto 603-8216
075-201-3497
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23 Murasakino Monzen-cho, Kita-ward Kyoto 603-8216
075-201-3497
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A miracle bowl in thick white glaze by Murakoshi Takuma enclosed in the original signed wooden box titled Shizuku Chawan. Shizuku is a natural, unplanned and unpredictable kiln event when built up ash, usually on the ceiling of the kiln or on a kil shelf, melts and falls onto a piece, creating a droplet or drip. Highly sought, this white bowl was struck perfectly on the rim by a flow of liquid green ash which has pooled in the center, and runs perfectly down both inside and out. It is slightly misshapen with an undulating “gozan” (5 mountain peak) rim and measures 12.5 x 13.5 x 8.5 cm (5 x 5-1/4 x 3-1/4 inches) and is in perfect condition, directly from the artist.
Murakoshi Takuma is one of those enigmas who simply lives to work with clay. He does not seek to make a living through pottery, but through his primal approach has earned a following which keeps his work in high demand. He was born in Aichi prefecture in 1954 and began his stroll down the pottery path in 1980 under the tutelage of Kyoto potter Umehara Takehira. Favoring very rough Shigaraki glaze, he established his own kiln in 1997 in the Kiyomizu pottery district of Kyoto, then moved to Nagaoka in 2002. Although eschewing the world of competitive exhibitions, he has been picked up by many of Japan’s preeminent galleries, including private exhibitions at the prestigious Kuroda Toen of Tokyo’s Ginza District.
Murakoshi Takuma is one of those enigmas who simply lives to work with clay. He does not seek to make a living through pottery, but through his primal approach has earned a following which keeps his work in high demand. He was born in Aichi prefecture in 1954 and began his stroll down the pottery path in 1980 under the tutelage of Kyoto potter Umehara Takehira. Favoring very rough Shigaraki glaze, he established his own kiln in 1997 in the Kiyomizu pottery district of Kyoto, then moved to Nagaoka in 2002. Although eschewing the world of competitive exhibitions, he has been picked up by many of Japan’s preeminent galleries, including private exhibitions at the prestigious Kuroda Toen of Tokyo’s Ginza District.
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