Murakoshi Takuma Flying Ash Glazed Uzukumaru Tsubo
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Directory: Artists: Ceramics: Pottery: Vases: Contemporary: Item # 1497373
Directory: Artists: Ceramics: Pottery: Vases: Contemporary: Item # 1497373
Please refer to our stock # MC578 when inquiring.
Modern Japanese Ceramics
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23 Murasakino Monzen-cho, Kita-ward Kyoto 603-8216
075-201-3497
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View Seller Profile
Feel free to visit our gallery
23 Murasakino Monzen-cho, Kita-ward Kyoto 603-8216
075-201-3497
Guest Book
$550.00
A fabulous little tsubo excavated from the sea of ash on the floor of an anagama kiln by Murakoshi Takuma enclosed in the original signed wooden box. The body is entirely encrusted inside and out with a thick layer of charred encrustations, one side with a rivulet of shiny glass wrapping the neck. It is 15 cm (6 inches) diameter, 20 cm (8 inches) tall and in excellent condition, directly from the artist.
Murakoshi Takuma is one of those enigmas who simply lives to work with clay. He does not seek to make a living through pottery, but through his primal approach has earned a following which keeps his work in high demand. He was born in Aichi prefecture in 1954 and began his stroll down the pottery path in 1980 under the tutelage of Kyoto potter Umehara Takehira. Favoring very rough Shigaraki glaze, he established his own kiln in 1997 in the Kiyomizu pottery district of Kyoto, then moved to Nagaoka in 2002. Although eschewing the world of competitive exhibitions, he has been picked up by many of Japan’s preeminent galleries, including private exhibitions at the prestigious Kuroda Toen of Tokyo’s Ginza District.
Murakoshi Takuma is one of those enigmas who simply lives to work with clay. He does not seek to make a living through pottery, but through his primal approach has earned a following which keeps his work in high demand. He was born in Aichi prefecture in 1954 and began his stroll down the pottery path in 1980 under the tutelage of Kyoto potter Umehara Takehira. Favoring very rough Shigaraki glaze, he established his own kiln in 1997 in the Kiyomizu pottery district of Kyoto, then moved to Nagaoka in 2002. Although eschewing the world of competitive exhibitions, he has been picked up by many of Japan’s preeminent galleries, including private exhibitions at the prestigious Kuroda Toen of Tokyo’s Ginza District.